I strive to produce work that challenges the audience to look beyond the visual information and forces critical thought and interpretation about the subject matter. It is a point of focus in my work to make people think more deeply about not only the work itself but what it means on a grander scale. 

It is critical to me that my work reflects not only my own views but the cultural context in which the work is set. Before drafting any sort of illustrative work for a project, I make a point of researching the subject matter that I am dealing with as it is important to me that I have a comprehensive understanding of the work that I myself am putting out into the world. It is through this research that I often am able to include imagery and ideas that go beyond a superficial understanding of the visual information as it may be interpreted upon first glance. 

Part of my creative philosophy is that it is important for me to be a well-rounded creator. As the world of art and design becomes increasingly digital, I make it a point in my practice to remember my analog roots in art. As a result, I often use a combination of analog and digital tools when working on a project to find the correct balance between the cleanliness of digital programs and the personal touch of analog work. Beyond this, I am always eager to explore new techniques that can elevate my work and its impact even further.